Free Fiction Friday: The Saint of Bright Red Things

In Nazi-occupied France, Marigold Jenkins, the daughter of ex-patriot Americans, must keep her identities—all three of them—a secret.

She navigates the streets of Paris armed with a bright red handbag, scarlet lipstick, and a compact tailor-made for her role as a courier in the resistance.

But when a train accident leaves her concussed and stranded in a provincial hospital, Mari must navigate a new reality, one that leaves her at the mercy of a German officer. She must decide whether she can trust this man—and what she must sacrifice in order to do so.

The sharpness that stabbed her lungs each time she pulled a breath did not scare Mari. The spike of pain in her temple was of little consequence. No, it was the clean sheets against her skin, the pillow that cradled her head, and the soft prayers of the Sisters that frightened her the most.

The last thing she remembered was the screech of the train. The last thing she saw was a spider web of cracked window glass splattered with brilliant red. After that, blue sky, crushed grass beneath her, stones stabbing her spine. Her purse, the straps looped through one arm. The tug when she refused to give it up. The last thing she heard were those orders barked in German.

The last thing she said?

Oh, God, not in English. Please, not in English. The panic sliced through the fog clouding her mind, but the clarity didn’t last. A new bank rolled in, doubt married to fear—and pain. The spike of it radiated across her skull, down her neck.

Even so, sounds penetrated. A rattling cart. Consoling murmurs. The gentle whisk of fabric against the floor.

With deep reluctance, Mari cracked open her eyes. The light assaulted her, the stab of it like something solid, something she could swallow, something that would choke her. She took quick, shallow breaths, and spread her arms until her fingertips reached each side of the bed, searching, searching. Her forearm felt naked without the purse’s straps. She came away with nothing but the clean edge of the sheets. Under, then? Or on a side table? Check everywhere. Oh, but that meant moving.

“You’re awake.” The nun wasn’t much older than she was, with hazel eyes and freckles far too frivolous for the somber wimple. “Would you like some water?”

The sister helped her sit. It was all Mari could do not to cry out when the water flooded her mouth, soothed her throat. Had she screamed when the train jumped the tracks? Her throat was raw enough for it.

“Better?” the nun asked.

Again, she nodded.

“Where am I?” The words came rough as if she hadn’t spoken for days.

“You’re in hospital.” The nun murmured the name of the town—somewhere between Paris and Blois.

“What happened?”

“You should ask…” The nun glanced toward the entrance to the ward. She didn’t elaborate. She didn’t need to.

There, in shadows, stood a man. Even from this distance he was obviously German, and from his bearing, obviously an officer. Mari licked her lips, swallowed back the bile in her throat, and reached once again for the water.

The man’s footfalls echoed against the floor. A hush fell over the space, as if they all held their breaths for the length of his stroll down the center of the ward. The sister turned and busied herself with the cart of medication, the wings of her wimple hiding her face.

He halted at the foot of the bed with a single click of his heels and an almost gracious bow. “Fraulein.”

She nodded, squinted against the light, his form blurry.

“I am Major Messner,” he said.

She blinked. Was he the local commander, then? That would account for the hush, that collective intake of breath. Still, was he better or worse than the Gestapo? Better, certainly, although much depended upon what sort of man Major Messner was.

“I was hoping you could assist us.”

One who spoke passable French, at least.

“You were in a train wreck. The tracks were sabotaged,” he continued. “We are hoping those passengers riding on the west side might be able to … provide us with information.”

Images came flooding back. That spider web in red.  Her purse clutched tight, even when the jolt threw her into the window. Had she been traveling north or south? This, she couldn’t remember. The uncertainty of that simmered in her belly like slow-acting poison.

“Do you remember anything, Fraulein?” the Major prompted. “Anything at all? Perhaps you were glancing out the window and saw something … someone?”

“I remember very little,” she said. This, blessedly, was true. Her words, however, betrayed the state of her throat. She reached a hand for the water glass only to find him plucking it from the side table and bringing it to her lips.

Merci,” she managed.

“Let’s start with something easier, shall we? Where were you headed?”

The uncertainty returned, panic gripping her mind, rendering her mute. North or South? Which was it? Sweat bloomed along her limbs, the thin blanket and cool sheets suddenly stifling. Where she was headed depended so much on who she was. The name on her papers would tell her, and those would be in her purse.

She was … who then? Marguerite, the dancer? (Bless her mother’s insistence on ballet lessons.) No. Too flashy. Marguerite would never leave Paris for … she eyed the small ward … wherever here was. Too provincial. Françoise, the shop girl? Yes! She was little Françoise, almost certainly.

Mari hadn’t been herself, hadn’t been Marigold Jenkins since her mother planted a perfumed kiss on her cheek and fled Paris for the endless blue skies and palm trees of Hollywood, her father in tow. And then, of course, the Nazis came.

“I was returning to Paris after visiting my mother in the countryside,” she said, as if her mother would ever live in the countryside in any nation. “She’s … not well.”

“Returning?” The major cocked an eyebrow.  A single word filled with doubt. A single gesture a death sentence.

But she was Françoise, a silly bit of fluff. Despite the ache, Mari tilted her head, trained her eyes on him, and in all innocence asked, “Was I going, Major?”

His jaw twitched. It was enough of a lifeline for her to continue.

“Truthfully, Major, I think only my throat remembers what happened.” She let her fingertips light on her neck.

“Understandable.”

Was it? And would this German officer understand when she provided no information, real or fabricated?

“I will return when you’re able to talk.”

Before he turned to leave, Mari called out, “Major Messner?”

He inclined his head, unfailingly polite. He was, she realized, not as young as she first assumed, his hair shined silver rather than gold, and the lines around his eyes and mouth spoke of a man who had seen a certain share of life before the war.

“My purse. I don’t suppose.” She glanced away, down at her hands folded demurely on the blanket. “It’s a … never mind.”

To her surprise, he took a knee at her bedside. “Go on.”

“It’s only.” And here, she peered up from beneath her lashes. “My lipstick, and compact.” Mari touched her cheek. “I only wanted … but it’s not important.”

Major Messner laughed, the sound indulgent. “You shall have your purse, Fraulein. I shall see to it personally.”

Merci.” And thank you, Françoise, you silly, vain cow.

His footsteps echoed again on his walk up the ward. When he cleared the door, it was if everyone took their first breath in fifteen minutes. Mari’s heart thudded. Was her request bold or merely reckless? How closely would they inspect her purse before turning it over to her?

The nun returned with a pitcher of water. Under the cover of refilling Mari’s glass, she spoke.

“I should tell you, Mademoiselle, that Major Messner likes to … cultivate pretty brunettes.”

Mari raised her chin. Her hair, although tangled, looked nearly black against the white of her pillow.

“Despite this.” The nun’s fingers lighted on Mari’s temple. “And this.” They moved to her cheek. “You are very pretty indeed.”

“Is that a warning, Sister?”

“No.” The woman turned from her. “But it may be your salvation.”

* * *

Major Messner was a man who kept his promises, or at least ones made to pretty brunettes. The next morning, the purse was resting on the side table, its red crocodile skin far too brash for the hushed atmosphere of the ward.

Henri hated the purse, always said it called too much attention to her. What he meant was Nazi attention, in particular the sort of Nazi officer who cultivated pretty girls.

“We must fade into the background, one of a thousand Parisians made drab by the war. We do not want their attention.” Henri said this with the authority of a father figure and then continued with the persuasiveness of a lover. “You do not want their attention. You do not want to be thought a collaborator.”

“But I am frivolous,” Mari had argued, “either as Marguerite or Françoise. It marks me as a fool, not a collaborator.”

The purse was like a broadcast signal. It told the world, or at least, those here in France, that she was not a threat. She was silly and thoughtless and spent money she didn’t have for things she didn’t need. After last month’s successful run, even Henri had agreed. Mari was their best courier.

Now she reached a hand for her purse, her salvation. Inside, she encountered her papers. The air pent up in her lungs seeped out. No whoosh of breath. No obvious relief. But yes, she was Françoise.

She rummaged until her fingers encountered her compact and lipstick tube. The little brush was missing. No matter. She could dab some on, lightly, with her ring finger. To have him fetch her makeup and then not use it would invite folly, indeed. What she didn’t use on her lips, she could smear on her cheeks, give herself a schoolgirl blush.

Something told her that Major Messner would like that.

Mari ran her fingertips around the compact. Aside from her mother, only she knew of the false bottom. Not even Henri knew. She eased it open just enough to slip her pinky inside, to check to see if the contents were there.

They were. The slip of paper. With codes. Always a dangerous thing. Possibly the most dangerous thing of all. But necessary. And in this case, small. She could chew up the evidence and wash it down with the half glass of water that sat on the table.

Mari felt herself sink into the bed, her pillow soft beneath her head. She was safe. They all were safe. All she needed to do was slip the paper from the compact and send it down her throat. Her fingers inched toward the paper when a single thought froze her.

A trap.

What if the Major had found the list? What if her purse, delivered so promptly, was bait? What if they were waiting to see what she would do, whether she was working for the resistance or was merely an empty-headed shop girl?

Leave the list in place or slip it out?

She eased the false bottom closed–for now–and opened the compact. A tiny yelp emerged from her throat. Oh, she wouldn’t need any additional color from the lipstick–she had far too much of it already, in ugly purples blooming across her cheek. Both eyes looked bruised. Her lips were uncommonly red, and she couldn’t account for it. Applying makeup to a face in such condition seemed nearly as foolish as keeping that slip of paper hidden.

She closed the compact without making a sound. Then she clutched it and the lipstick against her chest. It was like keeping a vigil.

Hold very still. Be very quiet. Act the part of the shop girl, so happy to have her things back. Stay alert. Do not sleep. Above all, do not sleep.

Only when the footsteps taken with military precision stopped at the end of her bed did she realize that she had succumbed to sleep, lipstick and compact loose in her grip.

* * *

Her hand convulsed around the compact. It was an instinctive move that Mari hoped the Major didn’t see. His gaze darted to her clenched hand and then met her eyes. This man missed very little.

“I didn’t mean to startle you, Fraulein.”

“No, I … I merely dozed off.”

“The sisters said your head injury might make you sleepy.”

Did they? She supposed they had. Certainly that wasn’t a lie. And yet. The information, or perhaps the way it was phrased felt … dishonest. How many patients escaped interrogation due to sleepiness? Perhaps the sisters added something to the soup served earlier. Had it tasted odd? Mari blinked, trying to bring Major Messner into focus.

“I also made the mistake of looking into the mirror,” she said, for it sounded like something Françoise might confess.

“The bruises will heal.” He turned then, nodded at the nun attending the ward.

She rushed over with a straight-back chair and placed it next to Mari’s bed.

“Thank you, Sister.” He gave the perfunctory bow. So polite. So civilized. So deceptive. How could a nation of so unerringly correct individuals be so brutal as well?

The Major sat, arms resting on his thighs, hands clasped. He leaned forward. “The bruises will heal,” he said, again, this time his voice softer, as if the words he used might heal her face. “There won’t be any lasting damage, except, perhaps to your memory.”

“My memory, Major?”

“Of the accident. The doctor mentioned that head trauma can cause memory lapses, especially of the event itself.”

“I remember blood–I think it was blood. It was red.” Mari fingered the lipstick. “But then, so is my lipstick. And I remember hearing German, but that must have been after.”

Yes, after,” he echoed. “Those are … good details, good things to remember.”

Were they? What was this man about and what did he want from her, other than–to quote the sister–cultivate her?

“Your compact is quite intricate,” he said.

“It was my mother’s.” A truth among all the lies. Also something a shop girl like Françoise might not own. Or she might. With the war, one never knew, did they?

“I’m afraid my lipstick won’t last, at least not until…”

Until what, Mari, you fool? The end of the war? Yes, the perfect topic of conversation when speaking to a German officer.

“May I?” He held out his hand.

Mari unclenched her fingers, a slow unfurling that she hoped looked more like pain than reluctance. She passed him the tube–a precious commodity, that. He inspected it with clinical detachment.

“It should last,” he said. “If you’re frugal.”

“How frugal will I have to be, Major?”

“That depends,” he said. “I am not the only official interested in the train accident.” His gaze flickered toward the door and the presence that shadowed the entrance. Plain clothes, not military. Gestapo then?

“You might want to use your compact, freshen up before they speak with you.” He stood and turned his back as if to give her privacy for the task.

A trap or her salvation? And if she took that salvation, what was the cost? The shadows at the threshold stirred. She slipped the list from the false bottom, tore it once, twice, then shoved the pieces into her mouth. The paper was thin, like onionskin, but stuck everywhere–her molars, the roof of her mouth, against her tongue.

The sound that emerged from her throat was muted, barely a cough, but the Major handed her a glass of water. She washed away the list of codes, and he took the glass from her hand with one last bit of advice.

“Remember those good details, Fraulein.”

* * *

It wasn’t the first time silly Françoise had attracted the attention of the Gestapo. It was, however, the first time they asked her about one of their own.

“How well do you know Major Messner, Fraulein?”

“How … well?” Mari scrunched up her forehead, as if terminally confused by the man’s question. His gaunt face reminded her of a cadaver. The war had not been kind to him. She guessed that peace, when it arrived, would be less kind.

Her whole body trembled. But then, she reasoned, little Françoise would also tremble if confronted by the Gestapo.

“He … asked me about the train accident, what I remembered. Then he brought me my purse.” She displayed the compact and the lipstick in outstretched hands almost like making an offering.

“Yes,” the man said. He cast the items a disdainful look, but–opinion aside–swept them up and passed them to his partner. “We need them for our own investigation. This as well.” He caught up her purse and passed that along as well.

“So you’ve never met the Major before?”

“I don’t meet many Germans, only those that come into the shop, and then only Monsieur Reime deals with them because…” She glanced away, eyes downcast.

“Because why, Fraulein?”

She shook her head. “I’m not supposed to know.”

The man leaned forward. “Indeed. And why is that?”

Mari bit her lip. She cast a look at the nun who stood several feet away. In a flash of inspiration, she crossed herself. She pushed forward, and if on cue, the Gestapo agent leaned ever closer.

Préservatifs.” She hid her face in her hands, peering at the men through a v in her fingers. Yes, silly Françoise barely knew what a condom was, never mind having cause to use one. “They … trade in Préservatifs.”

The man’s lips twitched, ever so slightly. His partner looked away, and she had the distinct impression he was laughing.

“Of course, Fraulein,” the man said. “You … shouldn’t know of such things.”

She regurgitated her good details. I remember seeing red–like my lipstick. It’s red, too. And hearing German. But that was after. You must have brought everyone here, to the hospital. That was kind of you.

“Yes, Fraulein, we brought everyone here,” the man said. He stood. “I will still need to take your things.”

She nodded.

“But you have been most helpful.”

She saw the look he gave his partner, a barely contained roll of the eyes for the silly French cow who had nothing on her mind but her bright red purse and lipstick.

Only when they cleared the door did she dare exhale and shut her eyes. And only when the lights were dimmed for the night did she allow herself to cry.

* * *

He was waiting for her when she left the hospital.

Mari walked the cobblestone path with care, oddly out of balance without her purse. Yes, the Gestapo had kept that, and her mother’s compact, and the bright red lipstick. They were no doubt in the hands of some other silly French cow or perhaps a German one. What a prize all three items would make.

The spoils of war.

Major Messner clicked his heels and gave her that slight bow. “You look well, Fraulein. Your bruises are healing.”

She touched her cheek. “Yes. They are.”

“I have something for you.”

What could that be? When he didn’t move, she knew it was her job, as the civilian, the lesser in this relationship, to step closer. So she did. Honestly, hadn’t she taken that step already, back in the hospital?

“Your hand,” he said.

She held it out. A moment later, the tube of bright red lipstick fell into her palm.

“I couldn’t retrieve your purse or the compact. Beautiful item. Lovely craftsmanship. Was it really your mother’s?”

“It was,” she admitted.

“For that, I am sorry.”

She let her fingers curl around the lipstick tube.

“I made the convincing case that I wanted to embark on my own little affair.” He spoke these words not to her, but just past her shoulder, as if absorbed in the sight of the road behind her. Mari nearly turned to see what had captured his attention, but knew she’d discern nothing.

“You might say my … proclivities are well known.” Now he looked at her. “Returning your lipstick would clinch the deal, as you Americans might say.”

Her heart lurched. Her vision tunneled to a single bright point. She stumbled, an ankle twisting beneath her weight. He caught her arm, steadied her.

“It’s all right,” he whispered.

Was it? How could it be? Her mouth dry, she stared up at him, his eyes shaded by the brim of his uniform hat.

“What gave me away?” she whispered.

“Nothing you need worry about.”

She exhaled a jagged rasp.

“Well, truthfully, your accent.”

She’d spoken French as a toddler. Henri always said she had a charming way with words. As Marguerite, she could croon, smoky and seductive.

“You sound like her, a distinct American twang.”

Had that one summer at her grandmother’s–roasting beneath the relentless Savannah sun–betrayed her?

“As I said,” he continued, “nothing you should worry about. I might be the only man in the Reich who might recognize such a thing.”

“Her?” she ventured.

He pressed his lips together, something like a sigh escaping him. “Her name was Rachel. Her father was an American, from Texas, I believe.”

That would account for the twang.

“Her mother was French.” He paused, considered the road behind Mari again. “And a Jew. And Rachel?” He shut his eyes for an instant. “She was stubborn. Even so, I could have saved her.”

Mari nodded, the love affair playing out before her eyes. A young German officer and a Jewess? Yes, that was destined to end badly.

“I chose not to.”

“Would she see it that way?”

His laugh was short and bitter. “I suspect that, if she could, she would ask me that very same thing.”

“What do you want from me?”

It was a bold question, here under the linden trees. Their leaves rattled as if they disapproved of that boldness, of the thought that had entered her head. Would she let this man, this German, this Nazi cultivate her?

Yes. Yes, she would.

“Do you pray, Fraulein?”

“Pray?”

He nodded toward the church at the end of the street. Her mother had worshiped at the altar of Diaghilev and the Ballet Russe, and then later, vodka. Her father paid homage to simile and metaphor, not that Hollywood appreciated either. Mari herself had no faith, unless it was the belief her lipstick would last until the end of the war.

“Do you want me to pray for you, Major Messner?”

“I want you to pray for a quick end to this war.”

“What will you do then?”

He stared past her again, his eyes ever alert. Slight movement caught her attention. His hand. His sidearm.

“Then I will pray for your soul,” she said

“Don’t waste your prayers on things that don’t exist.”

The rumble of an automobile caught her up short. The momentary flicker of panic in his eyes shot fear through her. A Citroën rumbled past, sleek and black, its pace slowing to a crawl, the sun glinting off the double chevrons of its grill. The Major leaned in, clutched her chin with a finger and thumb.

“You are so very much like her that I am nearly tempted,” he said a moment before he kissed her.

The car sped up.

In the quiet, he released her. He nodded once, bowed, and Mari took uncertain steps down the lane and toward the church. Her heels clicked, the leaves rattled, and the far off sound of a car backfiring–or of a gunshot–echoed.

The church was cool and dark. Mari covered her head, crossed herself, and collapsed into a pew. She stayed for hours. She thought he might come for her.

He didn’t.

The weight of something, his soul perhaps, drove her to her knees. She knelt, forehead on clasped hands, and prayed to the saint of bright red things–of lipstick and handbags and filigrees of blood in cracked windows. It was far easier than praying for those things that didn’t exist–a French shop girl named Françoise, a Jewess named Rachel, a German officer named Major Messner.

And a lone American named Marigold Jenkins.

The Saint of Bright Red Things was first published in The Binge-Watching Cure.

Free Fiction Friday: Midnight at the Hades Underground

Think you know how the story of Hades and Persephone ends? Think again.

During all the millennia of his existence, Hades had found contentment in so few things. One of those was in the simple act of tending bar.

Granted, it was his own bar, in his own club, far below the sunbaked asphalt and concrete above. A city, and a large one, filled with the clamor and detritus of humanity. Where, exactly? Well, where didn’t matter. The Hades Underground was everywhere.

The Hades Underground never closed.

Zeus leaned back against the bar, a cut-crystal glass in one hand, filled with Glenlivet and ambrosia—a deity-only concoction. Hades mixed drinks for the rare mortal. Although when he did, it was always their last.

“Brother,” Zeus said now. “You have outdone yourself with this.” He raised his glass, indicating the dance floor that pulsated with flashes of blue and yellow, high back booths in midnight velvet, the hallways that led deeper into the bowels of the club. Some mortals wandered down those halls never to return.

Hades liked to think of this last as a feature rather than a bug. He surveyed his club with satisfaction.

Yes, I really have.

“Even she seems to appreciate it,” Zeus added, a certain slyness in his tone.

Hades refused the bait. Persephone haunted the periphery of his vision, of his whole being. There, in the middle of the dance floor—the riot of blues and yellows and greens like springtime—she danced. A group of loyal nymphs created a tight circle around her, with mortal hangers-on forming a wider one.

No one dared approach.

“There are others, you know,” Zeus said.

“We don’t need to have this conversation again.”

Zeus and his matchmaking? No. No, thank you.

“Oh, I think we do.” Zeus pulled out his phone. How he loved that gadget. The constant stream of images and sounds. The entire world in the palm of his hand. Never had the King of the Olympians been so sated.

Who was he at this moment in time? Some tech billionaire, Zeke or Zucker-something-or-other. Hades had long ago stopped keeping track of Zeus’s personas.

“Look,” his brother commanded.

Pictures of women flashed across the screen, one after the other after the other, in a never-ending parade. Hades didn’t bother to count.

“And that’s just tonight,” Zeus added.

Yes, of course. Zeus invariably swiped right.

“Thank you, Brother, for your counsel,” Hades said. “I’ll take it under consideration.”

Zeus laughed, a booming sound that sliced through the chatter, the thump of the bass, and for the barest instant, brought the club to a standstill. Even Persephone halted mid-twirl to see what her father found so amusing.

He slapped Hades on the back, the impact like a thunderbolt. “You could, at least, tend to your little shadow.” Zeus nodded toward the end of the bar. “She’s been there all night.”

All week, actually. Hades cast her a glance, barely a whisper of a look. Most patrons found his full attention distressing, at best. He didn’t wish to inflict that on her.

“She’s an old soul,” is all he said. “It gives her comfort to sit here.”

“She’s more than that.” Zeus stood, swallowed the last of his drink, and then crushed the glass between his fingers. When he unclenched his fist, the shards rose into the air and filled the club with starlight. “And she’s looking for more than just comfort.”

He sauntered off, one of Persephone’s mortal hangers-on in his sights, his first conquest of the evening.

* * *

Hades ignored her—that little shadow, as Zeus called her. For a solid hour, Hades wiped down the bar of gleaming ebony, polished glasses with a cloth the color of lilies, took delight in the weight of the lead crystal against his palm.

There were so few visceral pleasures left to him. He let himself revel in this one.

But Zeus was right, at least in one respect. He should do something about her. It wasn’t her time; she wasn’t the type to fritter her lifespan away—no matter how long or short—sitting in his club.

She was a fighter, and always had been, more an acolyte of Ares than death’s handmaiden.

He approached, shrouding his gaze. She stared at him straight on. Hades suspected that he could lift the veil and she wouldn’t glance away. That was like her. No matter the end, she always met it well.

He signaled one of his mortal bartenders to pour her another drink. The concoction was startling sweet and free of alcohol.

“I don’t merit one of yours?” she asked when he slid the glass in front of her.

“It’s not your time.”

“Isn’t it?”

“Wouldn’t I know?”

“You might lie.”

“I might.” He nodded to concede the point. “But I seldom do.”

She carried with her the scent of harsh wind and dust, cordite and flames, of slick and quicksilver blood. Afghanistan, then. Her eyes held that look, but then they had for centuries now. Once earned, a thousand-yard stare seldom faded. He wondered: Did such ancient eyes in the face of an infant ever startle her mothers?

“Are you tired, my child?” Perhaps it was her time. He’d been wrong before. His gaze darted toward the dance floor. Yes. So very wrong.

She countered with a question of her own. “Why won’t you let me thank you?”

He raised a palm skyward. “Have I done something to deserve gratitude?”

“It was you.” She ran her fingertips around the circumference of the glass, full circle, a trip from birth to death. “Actually, it’s always you. At first, I thought it was Ares who came for me in the end. But war isn’t like that.”

“My nephew is many things. Compassionate isn’t one of them.”

“I’m sorry.” She gave her head a slight shake. “I don’t remember all the times.”

“Truly? I have no wish for you to.”

“And I don’t remember any before the year 1431.”

Even an old soul such as this one could comprehend dying only so many times. He’d erase every instance if he could. But some mortals were more aware than others, and that made it hard for them to forget.

And when the world decided you were a saint? Even harder.

“Humans live their lives as if they have an unlimited number of them,” he said.

“But most only have the one.”

“Yes. That’s the irony.”

“Are there others like me?” she asked.

“A few,” he acknowledged. “Fewer still who comprehend what they are.”

“They made me a saint, you know.” She laughed, not Zeus’s booming guffaw. This sound had a subtle, insidious sorrow. Those in nearby booths tilted their heads to catch the whisper of it. Those on the dance floor stumbled, mid-step.

Even Persephone.

“Yes. I know.” And his own words were heavy with sorrow.

“I never want to be a saint again.” Her gaze returned not to him, but the surface of the bar, as if she could peer into its depths. “It wasn’t the stake or the fire, but all those people pinning their hopes on me. It was a relief when you came. You didn’t need to offer your hand.”

“You didn’t need to take it.”

“Where does the pain go? Do you absorb it?”

“Mortal pain can’t touch me.”

“Do you wish that it could?”

Hades paused in the task of polishing yet another glass. The crystal crumbled in his hands, although if he were to release these shards, they’d fill the club with all manner of winged creatures, bats and ravens, and things not seen outside of Tartarus.

For the briefest moment, he unveiled his gaze.

She withstood it.

Yes, of course, she did. His little saint. His Joan. She would’ve withstood the flames as well had he not taken them from her.

“You never answered my question,” he said. “Are you tired?”

“He won’t stop whispering to me. He makes it sound so very simple, so very easy, so very right.”

“War is never those things.”

“I know.” She peered up at him as if daring him to unveil his gaze a second time. “But what is left for me?”

“The Elysian Fields?”

“So, heaven.”

“In a manner of speaking. Anything you might want, might be, might desire is yours for the asking.”

“That sounds … boring.”

Now he laughed, the echo of it reverberating through the floors of the club. The music hiccupped, and the speakers screeched in protest. A hush fell. Even the gaggle of nymphs ceased their giggling.

“Perfection often is,” he said.

Her gaze darted toward the dance floor. “Is it really?”

Before he could answer, a presence burst into the club. A man, although with a mere glance, it was difficult to tell. Most patrons only dared furtive looks. Some shrank back, into booths or against the walls, hearts pounding frantic prayers. Others preened and swooned, bloodlust thick in the air.

Yes, his nephew liked to make an entrance.

Was Ares here for this little saint? Was the mention of the Elysian Fields too much? Can’t lose a single soldier in the waging of war, can we now?

Ares swooped in, slipping onto the stool next to her. “I’ve missed you, my sweet. Indeed, I thought you’d gone AWOL.” He brought her hand to his lips and caressed the palm, the tender underside of her wrist.

“Really?” She raised an eyebrow, her expression filled with doubt, playfulness, and the assurance of a beloved favorite. “You thought that?”

“Feared it.” Ares released her hand and struck a fist against his chest, over the spot where a mortal’s heart would beat. “We still have much to do together, you and me.”

Hades anchored a hand on his nephew’s shoulder. “She needs rest. Don’t use her like this.”

“While you have so much to offer?” His nephew regarded him through half-lidded eyes. “This is quaint, Uncle. But really, Hades Underground? Where else would it be?”

She laughed then, and the sound cut Hades like nothing he’d felt in ages. In it was his loneliness, that great expanse of nothing that greeted him every moment of his existence.

He was Hades Underground, and Hades Underground was him. Dark, endless, and ultimately empty.

And now it was midnight. The glitter ball over the dance floor threw beams of sunlight throughout the space. The processional began, Persephone at its center, flanked by nymphs and mortals, all clad in dresses that swayed like petals and cascaded like sea foam.

Hades retreated, left Ares to the spoils of this little scrimmage. Who was this mortal girl to him, anyway?

Besides, he had drinks to mix.

Crystal sang out as he poured and stirred—ambrosia, nectar, and a splash of vodka for the nymphs. They weren’t particular, so he always used an off-brand variety.

Then he mixed the club’s signature drink—and clever patrons knew to order a Persephone instead of a pomegranate cosmopolitan. Hades stirred in a dash of ambrosia.

And, of course, actual pomegranate seeds. Six, to be precise.

They gathered around the bar, Persephone, the nymphs, and her mortal followers alike, squeezing out the other patrons. Her entourage wasn’t especially polite, but as a group, they awed. Others in the club stepped aside, swallowed their complaints, or basked in the glow of spring incarnate.

Slender fingers grasped for equally slender stems of glasses, like plucking flowers from a field. Midnight at the Hades Underground brought sunlight and spring and the taste of nectar against your tongue.

No one—mortal or god—ever left before midnight.

Except, perhaps, his little saint. He didn’t need to glance toward the end of the bar to discern the empty stool.

Persephone had yet to sip her drink. It went that way some nights—most nights, actually. Perhaps if her feet were sore, or if she’d grown weary of her current entourage, she’d deign a mouthful.

Most nights, she threw the drink in his face.

To say he didn’t deserve that would be a lie.

But tonight she halted, drink mere inches from her lips. Something jostled the group of nymphs. They stumbled aside, the force like a scythe slicing through wheat. The commotion caught Persephone’s attention, and she set the glass on the bar.

At the center of the commotion—and its cause—stood his little saint, staring down his goddess.

Gods don’t breathe, not the way mortals do, but just then, everything went still inside him.

On the bar, the drink glowed an arterial red.

Certainly, mortals weren’t faster than gods, but his little saint snatched the glass with the power of Ares behind her. With the practiced ease of a soldier, she swallowed. What she lacked in finesse she made up for in ferocity.

She drank it—vodka, ambrosia, pomegranate seeds, and all.

She slammed the glass onto the bar. The crystal shattered, the sound a gunshot. Sparks erupted throughout the club, like tracer rounds and flares in a night sky.

Hades braced for a fight. Surely this was the first volley in a coming war. Any moment, he expected Ares to roar back in, rile up the mortals, and force Persephone and her entourage from the club.

He expected blood.

Instead, his little saint turned to him.

“May I?” she asked, her hand extended in the manner he’d always offered his. “I know we both have our relationship baggage.” She rolled her eyes, a move that was both goddess-like and purely mortal. “But I think you could use the rest.”

“As could you?”

“As could I.”

Persephone stamped her foot.

Hades turned to her, surprised she was—at last—a mere afterthought. “Go.”

Her eyes—those impossibly blue eyes, the color of the spring sky—widened.

“Or stay,” he amended. After all, he’d fashioned the Hades Underground for her. “It”—he waved a hand—“runs itself.”

“But—”

“My dear, you have never wanted to be Queen of the Underworld.”

“But—”

“It was my mistake to force you. And for that?” He inclined his head. “I apologize.”

He then turned to his Joan, his saint.

His … savior?

He offered his arm. Only when she took it did the emptiness relinquish its hold.

“Is that ‘no’ to the Elysian Fields then?” he asked.

“There are other options, right?”

“None of them very pleasant.”

“Truly?” She tapped her forehead. “Isn’t it all up here?”

“What do you think?”

He led her down one of the endless hallways, the path worn smooth by the soles of so many souls.

“We make our own hell,” she said. When he didn’t respond, she prompted, “Am I right?”

“Hm? I can’t really say. Trade secret and all.”

“You can’t? Or you won’t?” Her words were full of skepticism and humor. She knew. Of course, she knew. Then her voice softened, and she added, “What’s your hell then?”

He nearly glanced behind him, at the renewed frenzy on the dance floor, the golds and the blues and the greens. But no one knew the cost of looking back better than Hades did. So he focused on the images that consumed his little saint, the ones that formed the walls of her own personal hell.

He expected cordite and flames, but they only seasoned the anguish. No, it was the expanse, the emptiness, the loneliness—of backs turned, hands never offered, promises never kept.

“It won’t be like that,” was all he said.

“How long do I have?” she asked.

“An eternity, if you wish it.”

Their footfalls echoed behind them, obliterating sounds that haunted them both—the thump of the bass, the clink of crystal, the rapport of weapons, the thunder of artillery.

“But only if you wish it.”

Midnight at the Hades Underground is an exclusive story for The (Love) Stories for 2020 project.

Free Fiction Friday: Land of the Free (Haircuts)

For August, it’s stories about battles, real and imagined, and which ones are worth fighting.

 

 

 

 

 

 

 

 

The place to find the cheapest haircuts in the Khobar Towers
is the fourth floor apartment of Tower D.
I should know because Paul wields the scissors, and his haircuts
are always free.

Soldiers try to give me their place in line.
I wave away their offers, not wanting
to sandwich time with Paul
between two privates.

The line snakes. Paul’s platoon sergeant smirks.
He thinks it’s ridiculous that Paul and I
pretend not to be married. He rolls his eyes, mutters,
Officers, and shakes out an unfiltered Camel from the pack he carries
in his ammo pouch.

The sun slants low in the sky, and when my turn
finally comes, afternoon light fills the apartment,
floods the balcony, turning clouds of cigarette smoke
a tarnished gold.

Paul sees me and the scissors snip shut.
He holds himself to impossible standards
while in uniform.
No PDA goes without saying,
but if he can run his hands over every single
scalp in Echo Company, there’s no reason why
he can’t touch mine.

Still, the price of this haircut may be more
than I am willing to pay.
But I sit in the folding chair.
I shut my eyes.
I hold my breath.

Beth, he says, Really?

I nod, tugging my bangs to my nose, hiding
behind my excuse. I only wanted to see him.
But I can’t tell him that, not in so many words.

He pulls a strand of hair, then another.
It’s like cutting spun gold. And his voice is softer
than the smoke on the balcony.

Two stories above, someone stabs the buttons
of a boom box, and the first notes mingle
with the smoke.
Paul’s scissors snap closed.

That song. The unofficial anthem of everyone
in the Khobar Towers,
although I’m sure I’ve never heard it
before coming to Dhahran.

But you can’t walk a block without cheap speakers
distorting Lee Greenwood’s voice, or someone belting out,
God Bless the USA!

I’d pull on a gas mask, Paul says, but I’d still be able to hear it.
Paul’s patriotism has never been sentimental, and I’m glad to see
my soldier cynic hasn’t lost his touch with either words or scissors.

But by the time the song fades, and the Islamic call to prayer
takes its place, the evening sun can barely crest the balcony rail.
A single shaft of light slants through the balcony doors
and illuminates the bits of gold scattered
around the folding chair. And I find myself wondering
how much more of us will be left behind.

Land of the Free Haircuts first appeared in Proud to Be: Writing by American Warriors, Volume 2 and also made an appearance in my young adult novel The Fine Art of Holding Your Breath.

Free Fiction Friday: In a Manner of Speaking, Part 5

Soshi Patel believes herself the last inhabitant on earth, trapped in an abandoned prepper’s shelter, living by candlelight and on canned peaches. Out of desperation, she uses the last of her good candles to build a ham radio from a kit. When she connects with a voice on the other side, it’s more than she could’ve hoped for.

But this voice, this Jatar, knows things he shouldn’t. As he comforts Soshi through the last days on a dying earth, it becomes clear that he carries his own burden, the weight of which can only be measured in time.

Read Part 1, Part 2, Part 3, Part 4

Crank the handle.

I know the words mean something, something important. I know there’s something I must do, but can’t remember. When the last of the candles dies and the dark erases the words, it’s almost a relief.

I pull my mouse to me, cuddle him against my neck. He is so soft.

“Don’t be scared,” I whisper.

Because he is scared, of the dark, of the cold so sharp it feels like a knife’s blade. I dig us further into our nest.

“Close your eyes, Jatar. Go to sleep.”

I shut my eyes. The sound of a voice pricks my ears, but I think this voice is in my head, not in my house. It is a rich voice, amused and musical. When I try, I can make this voice laugh.

And in that laughter, there is warmth.

* * *

It’s the silence in the end that’s the worst, when Soshi’s voice no longer fills my shuttlecraft, when I know she’s alone, in the dark. She has her mouse, I tell myself; she has her version of Jatar. She is not alone. This thought offers nothing, not even a cold sort of comfort.

Earth was never in my sector of responsibility. Before Soshi, I knew very little of it, just that it was another small, life-bearing planet. Enough small, life-bearing planets implode on our watch that one more hardly makes a difference.

Except, of course, when it does.

As always, the jolt takes me unaware, throws me into the control panel. Pain shoots along my extremities. The grind of metal on metal follows and what sounds like a ripping. I brace against the floor, the craft shuddering beneath me. I count to three.

And then it ends. Everything is solid around me. Everything is as it should be. Everything is the same.

“Hello?”

Including Soshi.

“Hello? Hello? Is anyone there? Can you hear me? I would like to talk to you.”

Why my communications system picks up her transmission, I don’t know. It hasn’t failed to yet, just as the crash never fails to surprise me, never fails to injure. I push to stand, then fall back. I strain and stretch, managed to press a button, call out a few words, although they are rough. My memories are intact, but each time, I must relearn her language. In those precious moments, it is easy to lose her.

“Hello! Hello! Are you there? Can you hear me? Hello?”

I can’t find the will to move. I’m not certain I have it in me to live through this again—I’ve lost track of the number of times.

“Please. Talk to me.”

If I lie here and soak in my own juices, what good will that do? But if I claw to stand, lock onto her frequency, what good will that do?

Every time is different. Every time … breaks me a little more. My sigh comes across the frequency, changes her thought or her footfall or something, and I open up another vista into her soul. Just when I thought I knew all of Soshi’s trials, she tells me of shaking bones from a dead woman’s boots and those who collect children in order to eat them.

I spend this time between her first call and that last, desperate one deciding. Earlier, I researched. While Earth never was in my sector, our information is complete, and what’s stored on the shuttlecraft is more than I’ll ever need. Quite against my will, I’ve become the foremost expert on hypothermia in humans.

When the end is near, I coax her into burrowing, better that than paradoxical undressing. I know when the avalanche will strike and her best chance to survive it. Once she stepped outside and it took her. I listened to icy silence until the battery on the radio finally died.

I have a complete mental inventory of her storeroom. What she finds in the bottom of that bin, I’m never certain. A child’s toy? A fur-lined glove? A hat meant for an infant, perhaps, with whimsical ears.

“Hello? Are you there? I think I heard you last night. Well, it’s always night here. I mean, before. I heard you before.”

My strength returns, but so does my resolve not to answer. Does it matter, one way or another, if I’m there for her? Must I bear witness? She dies. She always dies. Once, I’d like that not to happen.

“Is there anyone there?” Her words are slow, deliberate, plaintive. “Should I change frequencies?”

Her question holds humor, as if she recognizes that it’s a somewhat ridiculous thing to ask. The first time I heard it, I launched myself to my feet, smashed into the control panel, and opened a communications channel. Now, I hesitate, but thoughts cloud my mind. She will not find her mouse without me. She will step into that avalanche.

She will die alone.

I propel myself off the floor. I land with a crack against the control panel. I still ooze, and I coat the surface with what can only be described as slime, at least in human terms.

“No.” It’s more of a cough than a word, but it crosses space and time and opens her up to me.

“No?”

Her voice is filled with so much hope, choking out a reply is almost impossible. The panel is such a mess that establishing a permanent link is, also, almost impossible.

“Don’t … don’t change the frequency … there’s a good girl. Hold tight, I’m having some technical difficulties, but I’m here.”

I’m always here.

In a manner of speaking.

In a Manner of Speaking was first published in Selfies from the End of the World: Historical Accounts of the Apocalypse and in audio at Escape Pod.

Want the story to go? Download it over at BookFunnel.

Free Fiction Friday: In a Manner of Speaking, Part 4

Soshi Patel believes herself the last inhabitant on earth, trapped in an abandoned prepper’s shelter, living by candlelight and on canned peaches. Out of desperation, she uses the last of her good candles to build a ham radio from a kit. When she connects with a voice on the other side, it’s more than she could’ve hoped for.

But this voice, this Jatar, knows things he shouldn’t. As he comforts Soshi through the last days on a dying earth, it becomes clear that he carries his own burden, the weight of which can only be measured in time.

Read Part 1, Part 2, Part 3

I use the last of the dying embers to light a cheap candle. The flame throws little light and even less heat. A couple of them on the hearth chase away the worst of the dark—if not the cold. Jatar is speaking to me now, urging me forward. Before the cold can steal all my rational thoughts, I scrawl Crank the handle on any surface I might chance to look at—the floor, the walls, the plastic tub that once held the blankets and clothes I stumble around in.

My fingers are black from the burnt bit of wood that was my makeshift pen. I use as little water as possible to wash, although this is from habit. I will run out before the water does.

“The storeroom,” Jatar says. “You can navigate in the dark. I’ll help you. Don’t take a candle.”

“All right.” I push to standing.

“Go straight back and then to your left.”

“My left.” I don’t say it as a question, but that’s what it is.

“That’s the hand with the burn.” He never scolds, even when my words come out stupid.

“On the shelf, above your head, there will be another bin of blankets and things to keep you warm.”

Halfway inside the storeroom, my mind blanks. Everything is dark, but Jatar’s voice echoes behind me.

“A few more steps, dear girl. Just a few.”

How he knows what I need to do, I can’t say. Perhaps, before the avalanche, I spoke of these things. Yes. I nod to myself. I did. I told him where everything was and now he’s telling me. I lug the bin from the shelf and emerge into the dim light of the main room.

My movement causes one of my candles to sputter. It gutters and dies. Maybe it’s the cheap wax, but it sounds like someone drowning.

“Soshi? Are you there?”

“Yes, I’m here.”

“That noise?”

“One of my candles,” I say. “The flame went out.”

“It sounded horrific.”

“It sounded like someone’s throat being slit.”

Jatar’s voice fills the speakers, but I don’t understand him. His voice has a musical quality to it, as if he uses notes rather than words. But I recognize the tone.

He is scolding me.

At last he comes to himself, the notes fading into lyrics I understand.

“Soshi, please.”

He doesn’t call me dear girl, and I think that hurts more than anything else. That makes me rush to explain before the cold steals this piece of me as well.

“I said that because I know what it sounds like. I’ve heard it before. It’s why I left the group. They weren’t collecting children because they were kind. They were collecting children because they were hungry.”

Jatar is silent.

“I ran away,” I continue. “I’d rather die alone than be someone’s dinner. I left the group, stopped following the train tracks, and found my mountain.”

“I had no idea, dear girl, no idea. You’ve never … I mean, I didn’t know.”

“I don’t like to think about it.”

“Then we won’t speak of it ever again. Go on, open the bin. There are warm things inside.”

I pull the items out, one by one. They are heavy in my hands, thick wool coats that might weigh more than I do at this point. There are light things as well, down-filled jackets and sleeping bags that sprout tiny feathers when I squeeze them. At the very bottom, there is something furry and soft. I don’t recognize it, and it isn’t something you wear. It almost looks like…

“Jatar! I have a mouse!”

“Do you now?” He sounds amused.

“Yes! Did you … did you find a way to send me a mouse?”

“I did, dear girl, I did.”

“Is it my birthday?”

“I think it might be.”

“I should have a can of peaches then.”

“You should have two.”

“Oh, I don’t know if I could eat two whole cans.” I am not as hungry as I used to be. Sometimes Jatar must bully me into eating.

“Try,” he says now. “Pretend I’m there, and the second can is for me.”

In the end, I manage to eat one and a half cans. This gives me energy to make tea. The drink heats my throat, my stomach, and for a few moments, I can pretend I feel warm.

“You know what you should do, now that you have a mouse?” he asks.

“What?” I am amazed that there’s something I can do, so he has my full attention.

“Build a nest, one you can share with it. You can keep each other warm.”

I do as he says, piling the heavy coats along the floor and against the wall near the hearth. I move the radio within arm’s reach. I can keep the candles lit from here. I curl into the blankets and pull the mouse to me.

“Would you mind,” I ask, “if I called him Jatar?”

“I would be honored.”

In a Manner of Speaking was first published in Selfies from the End of the World: Historical Accounts of the Apocalypse and in audio at Escape Pod.

Want the story to go? Download it over at BookFunnel.

Free Fiction Friday: In a Manner of Speaking, Part 3

Soshi Patel believes herself the last inhabitant on earth, trapped in an abandoned prepper’s shelter, living by candlelight and on canned peaches. Out of desperation, she uses the last of her good candles to build a ham radio from a kit. When she connects with a voice on the other side, it’s more than she could’ve hoped for.

But this voice, this Jatar, knows things he shouldn’t. As he comforts Soshi through the last days on a dying earth, it becomes clear that he carries his own burden, the weight of which can only be measured in time.

Read Part 1, Part 2

“I wish I knew what day it was,” I say.

I am trying to draw Jatar out, get him to respond. Today he has been so very quiet.

“I always know what day it is,” he says.

“Somehow, I don’t think it’s the same as mine.”

“It is, and it isn’t.”

“Because if I knew what day it was, we could have a party.”

“What kind of party?”

“Well, that depends on the day. See? It’s important.”

His laugh filters through the speakers.

“It could even be my birthday.”

“Oh, dear girl, it certainly could. You deserve lots of birthday parties.”

“Would you get me a present?”

“As many as I could carry to you.”

“Like what?”

“How about a mouse?”

“I would very much like a mouse. I would name it Jatar.”

A harrumph comes from the speakers, one so strong the radio seems to vibrate with it.

“I think,” Jatar says, his words slow, “that I should be offended.”

Before I can explain that having a mouse named after you is an honor, the floorboards shake beneath my feet. I give a little cry, no more than a yelp from the back of my throat, but Jatar hears.

“What is it?” he demands.

“I don’t know. The house is …”

I can’t find words to describe the tremors that run through it. It’s like my house has suddenly caught a fever and is shaking with chills. Then there’s an awful groan.

“Oh, dear girl,” Jatar says, and now his voice is low, but taut, as if it were nothing more than a rubber band stretched to its limits. “Stay by me—I mean, the radio. Stay by the radio. Do not open the door. Do not go outside. Stay as still and as quiet as you can.”

I retreat to the radio, grip the mouthpiece, although I don’t need to. Another groan sounds. It is like nothing I’ve heard, not even in the days when we fought to leave the city, and certainly my mountain has never made such noises.

“What is it?” I whisper, my lips only a breath away from the mouthpiece.

“I have heard this sound before.”

“Will it eat me?”

“No.” This word is not quite as tight as all his others. It almost sounds like he wants to laugh. “It won’t eat you, dear girl.”

The roar comes next, so loud it steals my breath. It reminds me of the few trains that still ran, back when we were walking, back before I was alone. We’d follow the tracks, and the roar would sneak up on you. Someone always kept watch.

Or did. Because, of course, the trains stopped running after a while. We still followed the tracks. They would lead us somewhere important, somewhere safe. I’m not sure how true that was, because they didn’t lead me here, to my mountain, where I’ve been safe.

Until now.

The floorboards jump beneath my feet. The force knocks me into the wall and knocks embers from the fireplace. I claw my way across the floor. Before I can cup the glowing ember in my hands, I jerk back. I glance around, but the world shakes too hard, and my feet are too unsteady. Already smoke rises from the wood slats. I bite my lip and sacrifice the back of my left hand and shove the ember into the hearth.

I must scream. My throat aches as if I have. Jatar’s voice pours from the speaker in response. He must fight to be heard over the roar and rumble and chaos that have swallowed my house.

Then, everything is quiet. The world. Jatar. So quiet I can hear the fire sputter. My gaze goes there first. Build the fire back up, make it safe. My left hand is nearly useless. If pain could scream, it would fill this space, this mountain, this world. I worry that I have done more damage than I can repair.

First things first. The fire. I build it up. I don’t know if it’s the stoked fire or if my hand makes me feel as if I’m on fire, but the air is warm, warmer than before. I glance about, knowing I must dig out some first aid supplies, perhaps scoop up some snow or ice from outside.

“Jatar?” I say, hoping to hear his voice.

Nothing.

Panic seizes me before I remember: the battery. It’s an awkward thing, cranking the handle with my right hand, bracing the radio with my left elbow, but I manage it.

“Jatar?” I say, before I even have a full charge.

“Soshi? Dear girl, are you okay?”

“I burnt myself, but that’s better than the house burning down. I’m going to get the first aid kit.”

Actually, in the storeroom, I have many first aid kits, more than I could ever use.

“And maybe some snow,” I add, making my way across the room. My legs wobble, and I take unsteady and erratic steps.

Behind me, Jatar is saying something, but he sounds so very far away. Shock, I think. How do I cure myself of that?  Hand first, then the shock. I open the door to the outside. All I want to do is grope around, grab a handful of that sharp, crystalized mix of icy snow, and cool the fire of my skin.

At first, I don’t understand what I see. I can only open the door partway. Something solid, cold, and white blocks its progress. The rope lifeline that leads to the woodshed is gone. That is no matter. Because my woodshed is also gone. Either that, or it’s buried beneath a mountain’s worth of snow.

Why the avalanche spared my little house, I do not know. But it has. And yet, it hardly feels benevolent. I do not feel grateful.

For a very long time, I do nothing but stare at the snow. Then I shut the door. I throw the deadbolt.

I will never open it again.

In a Manner of Speaking was first published in Selfies from the End of the World: Historical Accounts of the Apocalypse and in audio at Escape Pod.

Want the story to go? Download it over at BookFunnel.

Free Fiction Friday: In a Manner of Speaking, Part 2

Soshi Patel believes herself the last inhabitant on earth, trapped in an abandoned prepper’s shelter, living by candlelight and on canned peaches. Out of desperation, she uses the last of her good candles to build a ham radio from a kit. When she connects with a voice on the other side, it’s more than she could’ve hoped for.

But this voice, this Jatar, knows things he shouldn’t. As he comforts Soshi through the last days on a dying earth, it becomes clear that he carries his own burden, the weight of which can only be measured in time.

Read Part 1.

Jatar won’t talk to me until I’ve assured him that I’ve fed myself, tended to the fire, and the other chores. How he knows I need to do these things puzzles me. Of course, I did fling my words into the darkness before we found each other. So I ask him.

“Yes,” he says. “I did hear you. I have trouble on my end. Your radio is nothing like the device I use.”

“You still have trouble?”

“Had. I mean, I had trouble. But you can hear me now, yes?”

“Yes.” Sometimes I want to nod or smile, but I know he can’t see these things. We have nothing but voices to guide us—their tone, their thickness or thinness. How a smile makes the throat warm and disapproval has an edge.

“You are not on earth,” I say, “are you?”

The frequency carries his sigh to me, and the sound holds reluctance. “No, I am not.”

“You are lucky then.”

“I don’t know about that.”

“Where are you?”

“I don’t know about that, either.” By the way he says this, I know he wants me to laugh.

I do, but I also want to know the answer. “Where are you?”

“I’m not certain where matters all that much, not anymore.”

“But you must be somewhere.”

“Must I, dear girl? Must I really?”

I don’t know how to answer that. I crank the handle to charge the battery, just so I don’t lose the connection. I hate that, every morning—or what I call morning—charging the battery, sprouting sweat, and praying that Jatar’s voice will come over the speaker and fill my little room with warmth.

“Maybe you are in my radio,” I say now.

This time, he laughs. “What I wouldn’t give to be there, living inside your radio.”

“You would have to be very small,” I say. “Smaller than a mouse.”

“You wouldn’t need to feed me very much.”

No, I wouldn’t. A thought seizes me. I think of small things, tiny things, mouse-sized things. I think of their absence.

“I killed them,” I say. The confession both lifts me up and weighs on me. I know its truth.

Our frequency is clear of buzz and static. So when there’s silence, it stretches long and empty.

“Who do you think you’ve killed,” Jatar says at last, his words quiet and low.

“The mice. When I first … found this place, there were droppings everywhere. The food is in metal containers and on metal shelves. But I stopped leaving crumbs. No more crumbs, no more mice.”

“And it’s you, not the lack of sun or heat that’s responsible.”

“I don’t need to eat every last crumb.”

A few nights ago, I left a bit of cracker on the floor, deliberately. I placed it well away from my sleeping pallet. My first nights in this space, I was consumed with the fear of mice, of rats, crawling over me in my sleep. I jerked awake so many times, breathing hard, cold sweat washing across my skin that I almost gave up on sleeping. But this time, when I woke, the crumb remained, untouched.

“Oh, dear girl, you did not kill the mice. They no doubt went elsewhere. They are resourceful creatures. Besides, they carry diseases. They could contaminate your food, your water…”

Jatar’s voice fades, either from the buzzing in my head or failing battery power. I remember standing over that crumb, then falling on my knees next to it. For how long I stared, I don’t know. Here’s what I do know:

I picked it up and ate it.

“I can’t talk now, Jatar,” I say into the mouthpiece.

“Soshi, please. Listen to me, you did not kill the mice.” Jatar’s voice fills the air. He does not stop talking, not even when I refuse to respond. “You’ll lose me soon if you don’t crank the handle.” He knows the life of the battery—or at least how to gauge it. “Crank the handle, at least. Tell me you’re still with me.”

But I don’t. I sit, curled by the fire, chin on my knees. I could’ve captured a mouse, tempted it with some crumbs, built a home for it, close enough to the fire so it would always be warm. We would dine together, morning and night. I could spare what it would need to survive. I would have given it a good mouse name.

But I don’t have a mouse. Something about that makes me clutch my legs to my chest. Salt from tears irritates my cheeks, but it’s only later, when the tracks have dried, that I scrub my face with my palms. I’ve forgotten to eat, and the fire is low, but it’s the radio that I reach for. My chest heaves as I crank the handle.

“Jatar,” I say when there’s enough power to carry my voice. “I want a mouse.”

“I know you do, dear girl. I know you do.”

He is there; he is always there. Maybe he does live in my radio. Maybe Jatar is my mouse.

“I know you do,” he says one last time. His sigh carries so much weight I’m surprised the air isn’t thick with the sound. “Your fire,” he prompts.

“I should stoke it.”

“Dinner?”

“Not yet.”

“Tend to your chores. I’ll be here when you’re done.”

“You will?”

“Where else would I go?”

* * *

I have found a rubber band, one that feels stretchy and fresh in my fingers. Its edges have not rotted away. It is strong, and when I wrap it around the mouthpiece, the button remains depressed. I love my radio, but now I am no longer tethered to it. I can use both hands while talking to Jatar.

Not that he can see my hands. But I can stoke the fire, feed myself, and crank the handle. I can fall silent, and he will not worry—too much. He can hear the rustle of my boots against the floor, the whisper of the broom, the crack and sizzle when I stoke the fire.

“Have you gathered wood recently?” he asks now.

“Last night … yesterday. It’s stacked high. I don’t dare bring any more in for a while.”

The air is too dry; sparks from the fire have too great a range. The thing that keeps me alive can also kill me. At least then I’d be warm, I tell myself. I don’t speak these words to Jatar, but my laugh gives me away.

“That sounds morbid.”

“It is,” I admit. “I was thinking about the fire, how it might kill me before the cold does.”

“I wish you wouldn’t—”

“It’s like that poem about the world ending in fire and ice. And I think it could be both, couldn’t it?”

“I suppose it could, and suppose we change the subject?”

I agree, but don’t know what to say at first. Jatar does not talk much about himself, although I wish he would. That doesn’t stop me from trying.

“Can you see the stars where you are?” I ask.

“On occasion, yes, I can.”

“Ours left. Actually, that’s not right. I’m guessing they’re still in the sky.”

“Your guess would be correct.”

“We blotted them out, all the stars, our sun, and now we have nothing. You know, when I first found this place, you could still see the stars from here. I thought: oh, I am so lucky. There used to be a stream. It even had fish, although they swam funny, so I never ate them.”

“That seems like a wise decision.”

His words have a teasing quality that makes me want to talk more so I can hear the humor and approval in his tone.

“It must have been a beautiful spot, with the mountains and the woods. I wonder why no one else ever came up after I did. Was it just too late?”

“Perhaps they weren’t as smart as you.”

“I don’t think that’s it. I think something happened, but I just don’t know what that something is.”

“Hm.” Jatar sounds as if he’s giving this much thought. “It’s possible that the only thing to happen was self-inflicted, especially with the cities, as crowded as they were. Disease, fighting. It’s hard to say.”

“The cities were crowded. It’s why we left.” I nod before stopping myself, since Jatar can’t see me. I may be the only witness to these things, and yet, I might as well be blind for all I’ve seen. Self-inflicted. The phrase makes me think of something else I found along the stream, something else I witnessed, and yet didn’t.

“I’m wearing a dead woman’s boots,” I say.

I must shock Jatar with this confession. Silence greets me, and I wonder if I need to crank the handle again. At long last, he coughs.

“Dear girl, Soshi … I don’t know what you mean by that.”

“When there was still some sunlight, when I could walk along the stream, I found a body, a skeleton, really. Small, like me, so I’m guessing it was a woman. She was mostly bones, but the gun was still in her hand, and for some reason, nothing had chewed away the boots on her feet. Thick leather. They’re heavy, but they are very good boots.”

“The boots on her feet.” Jatar says these words slowly. “Your boots?”

“I had to shake her bones from them, but yes. I took her boots.”

“Did you leave her gun?”

“By that time, there was nothing left to shoot. I didn’t see the point, even though I was still scared. I didn’t think anyone would climb up this high in the mountains, not if they hadn’t already.”

“So you left the gun.” Jatar’s voice is tight as if this is something he absolutely must know.

“I left the gun,” I say. “What would I shoot at? The wind? What would that do? Maybe cause an avalanche?”

“Yes, I suppose it could.” He clears his throat. “I don’t like this subject either.”

“Then you tell me something about you.”

“I am not that interesting.”

“Are you a scientist?”

Jatar is intelligent; I can tell he holds back in saying things, perhaps so I don’t feel bad for not being all that smart myself.

“A scientist?” he says. “Is that what you think I am?”

“You are very smart.”

“I don’t know about that, but you could call me a scientist, in a manner of speaking.”

I sigh. The radio carries the sound to wherever Jatar is, and he laughs.

“What do you study? Planets? Stars? Solar systems?”

“Yes, you could say that. I … take the temperature of things. Some of those things include stars and planets.”

“Earth?”

There’s the slightest hitch in our frequency, the slightest bit of hesitation in his voice. “No, actually, Earth wasn’t something I monitored.”

“But you are now?”

“On my own time.”

“You must have a lot of time.”

Here, he laughs, the sound so clear and hearty, I can’t help but laugh as well.

“Oh, yes, I do,” he says. “I have time to spare.”

In a Manner of Speaking was first published in Selfies from the End of the World: Historical Accounts of the Apocalypse and in audio at Escape Pod.

Want the story to go? Download it over at BookFunnel.

Free Fiction Friday: In a Manner of Speaking, Part 1

For July, I’m posting a serial story. You can come back and read a segment each week or scroll to the end of the post to download an epub or mobi file to take with you.

Soshi Patel believes herself the last inhabitant on earth, trapped in an abandoned prepper’s shelter, living by candlelight and on canned peaches. Out of desperation, she uses the last of her good candles to build a ham radio from a kit. When she connects with a voice on the other side, it’s more than she could’ve hoped for.

But this voice, this Jatar, knows things he shouldn’t. As he comforts Soshi through the last days on a dying earth, it becomes clear that he carries his own burden, the weight of which can only be measured in time.

I use the last of the good candles to build the radio. I still have light. The fire burns, and there is a never-ending supply of the cheap, waxy candles in the storeroom. I will—eventually—burn through all of those. My fire will die. The cold will invade this space.

But today I have a radio. Today I will speak to the world—or what’s left of it. I compare my radio to the picture in the instructions. It looks the same, but not all the steps had illustrations. This troubles me. My radio may not work.

I crank the handle to charge the battery. This feels good. This warms my arms, and I must take deep breaths to keep going. I shake out my hand and crank some more. When buzz and static fill my ears, I nearly jump. That, too, sounds warm. I am so used to the cold. The creak and groan of ice, the howl of the wind. These cold sounds are their own kind of silence. They hold nothing warm or wet or alive.

I decide on a frequency for no other reason than I like the number. I press the button on the mouthpiece. This, according to the instructions, will let the world hear me.

“Hello?” My voice warbles and I leap back, as if something might spring from the speakers.

Nothing does, of course. In fact, nothing happens at all. It takes more than one try to reach the world.

“Hello? Hello? Is anyone there? Can you hear me? I would like to talk to you.”

Perhaps I should try another frequency—or try a little patience. If someone is out there with a radio, might they right now be cranking a handle to charge a battery, or sleeping, or adding wood to their fire? This last is something I must do and soon. The embers grow a bright orange, but the chill has invaded the edges of the room.

That means venturing outside. Of all the chores, I like this one the least. The trek to the shed is short, but nothing lights my way. The dark is just that: dark. While the cold is fierce, I know nothing can lurk outside my shelter, waiting to pounce. And yet, every time I collect wood, it’s as if a predator stalks me. I anticipate claws digging into my shoulder, sharp teeth at my neck, my spine cracked in half.

But the only thing outside my shelter is the cold. But it is the cold that will take me in the end. So in a sense, I am its prey and it is stalking me.

With my parka buttoned tight, I clip myself to the rope between my shelter and the shed. Wind tears at me, and I plod to the shed. I pat the pile of wood, reassured that yes, it is substantial. For now. With my arms full, I push against the wind and spill into the shelter.

It’s then I hear something. At first, I don’t recognize it because it’s been so long since I’ve heard that sound. Then the notion of it lights my mind. I fly across the room, wood spilling from my arms, the wind banging the door behind me.

It’s a voice.

I grab the mouthpiece, my thumb clumsy through wool mittens.

“Hello! Hello! Are you there? Can you hear me? Hello?”

The wind screams at my back. The door slams against the wall, the noise like a death knell.

“Please. Talk to me.”

My small space is chaos. Whirling snow, slamming door, biting wind, and scattered wood. It is too loud and too cold for anyone to hear me over the radio, and I have foolishly let the heat escape. It will take hours to warm the air to the point where I can sit without my body convulsing with shivers.

I have been so very foolish.

I fight the wind to shut the door. With it latched, I turn to inspect the mess. Stoke the fire first. Perhaps by the time I stack the wood and sweep the debris, the flames will throw enough heat that I can sit, crank the radio, and try again.

After I clean, after I heat my insides with broth, I crank the handle and try the radio again. I send my voice into the endless night, into the world, maybe even the universe. My voice could go on forever, long after I am gone. But that doesn’t seem to matter.

No one answers.

* * *

When I wake, my nose is chilled, but only slightly. The air holds enough warmth that I can move and think. The fire is hungry, I can tell, but content to give me heat for the moment. Last night’s folly has not ruined anything. My gaze lands on the radio, and I wonder. Is it more of a curse than a possible blessing?

I will try again today. It will not hurt to try. It will keep me warm and keep me busy. As long as I don’t hope too much, it cannot hurt me, either.

After I eat a can of peaches for breakfast, I set to the task of cranking the handle and giving the battery a full charge. I debate switching frequencies. I wonder if that voice I heard was merely wishful thinking. These thoughts do not stop my thumb from pressing the button.

“Hello? Are you there? I think I heard you last night. Well, it’s always night here. I mean, before. I heard you before.”

Even now, without the sun, I still think in night and day, breakfast and dinner. I could have broth for breakfast, but I never do. I could reconstitute eggs and eat them for dinner, but again, I never do. I am a creature of habits. Now, these habits are all I have left.

“Is there anyone there?” I speak slowly, in case these words must fight the static to reach whoever is on the other side. “Should I change frequencies?”

This seems to be a silly question. If no one has answered my other calls, I’m not certain why this would compel them to. My fingers touch the dial. I’m about to spin it when something crackles over the speaker.

“No.”

I stare at the space in front of the radio as if it’s possible to see the owner of this voice.

“No?” My reply is a tiny thing.

“Don’t … don’t change the frequency … there’s a good girl. Hold tight, I’m having some technical difficulties, but I’m here.”

“I don’t understand. You can hear me?”

“I can hear you.”

“You have a radio too?”

“In a manner of speaking. I have a way to talk to your radio, at least.”

Again, I stare at the space in front of the radio. I even wave a hand in the air. The voice is so rich and deep and clear. Yes, there is no static on my frequency. I wonder if that is something this other voice has done.

“Are you a man?” I ask.

“In a manner of speaking.”

I laugh. The button on the mouthpiece is still depressed, so this voice, this man, hears my laughter. His own in response is as rich as his voice.

“I don’t know what that means,” I say.

“I don’t either, except that I was a man, once—or male, at least. If that makes sense,” he says, his reply filled with both humor and sadness. “Now I am, perhaps, less than that.”

I still don’t understand, but I’m not certain it matters. Not when there’s a voice on the other side of this endless night, not when that voice wants to talk to me.

“I’m Soshi,” I say, a strange, unaccountable shyness invading my voice and heating my cheeks.

“It’s a pleasure to meet you, Soshi. I am Jatar.”

I like the way his name feels in my mouth, and I say it out loud. “Jatar.” Yes, it is delicious. Speaking is delicious. I touch my cheeks. The skin burns hot, but my fingers are like ice. The fire. Too late, I realize I’ve let it die down far too much.

“Oh, no,” I murmur. “I forgot about the fire.”

“Go, go. Tend to your fire. Then fix yourself something to eat, and come back and charge your battery. I will be here, on this frequency.”

“Always? When I call, you will be there?”

“In these times, Soshi, there aren’t many things I can promise. But I will promise you this. I will always be on this frequency, and I will always hear your call.”

In a Manner of Speaking was first published in Selfies from the End of the World: Historical Accounts of the Apocalypse and in audio at Escape Pod.

Want the story to go? Download it over at BookFunnel.

Free Fiction Friday: The Way Home

Sometimes the way home isn’t obvious.

The braid went slack in his hands, and the prince knew.

He’d been deceived.

In the moment before he fell, when he hung suspended in the air, the prince confronted the thorns that would steal his sight.

He refused to blink.

The pain was an exquisite brightness, the blood hot and wet. He clambered to his feet, drew his sword, and swung blindly.

The cackle of the witch’s laughter echoed in the air.

The prince stumbled across the countryside, sword unsheathed. He whirled in panic at the cries of birds and rustles in the underbrush. And always, as he walked, the faint whisper of the witch’s laughter followed him.

At last, his feet found a crossroads. The earth was smooth here, and his boots met nothing other than small stones and gentle ruts. He paused and sniffed.

A ripe, earthy scent rose up, warmed by the sun, the air filled with promise.

The marsh beckoned. The prince turned and left the road behind.

He was days into his trek when the cries of an infant accompanied his walk. His legs were weak with fever, and so too, the prince reasoned, was his head. Whatever promise had led him into this marsh eluded him.

The prince sank into the muck only to hear a startled cry moments later.

“My love? Is it really you?”

His lips were so dry that he couldn’t utter her name. Rapunzel knelt beside him, her tears bathing his face, easing the pain in his eyes. He raised a hand to stroke her cheek and missed.

He saw nothing but brightness and shadows. Of all the sights the thorns had stolen, he would miss the intelligence in Rapunzel’s gaze the most.

“Come,” she said, “come with me now.”

“I can’t—”

“Can’t what, my prince?”

“I can’t rescue you.”

“Can you walk?”

With her words, his legs found their strength. “I can walk.”

“Then come meet your son … and your daughter.”

With time, the prince’s feet learned which paths to take in and out of the marsh. His fingers became adept at finding and patching holes in the thatched roof of their little cottage. His children grew, and although he couldn’t see them, his son smelled of lilacs and morning dew, his daughter like wild roses and rain.

Each day, he ventured farther from the cottage, all in hopes of finding the crossroads once again, of finding rescue, and what that might mean. A true marriage. Proper schooling for the little prince and princess. He could resume his place in the kingdom.

It was the king’s own counselor who found him, standing in the center of the crossroads one hot, summer day. Despite his blindness, the prince recognized the king’s most trusted advisor, and the man rejoiced to have found the long, lost prince.

His feet knew the marsh so well that the prince raced to the little cottage without care. He found Rapunzel and swung her around, then hoisted the children to his shoulders.

“We are saved!” he cried. “We can go home.”

“Home?” the children echoed.

“To the palace, where we will live the way we were meant to.”

Rapunzel remained strangely silent.

“My dear,” he said. “Are you not happy? Haven’t you only ever wanted to escape?”

“Yes. Escape.” Her words were soft and hollow, and the prince barely heard them over the clatter of the carriages arriving to bear them to the palace.

Was it the noise that struck first, or the stench? Both swirled around him like a thick, damp cloud. So many voices, and all of them demanding something of him. So many smells. Waves of perfume. The dank scent of mildew. The hint of refuse that never left the air no matter where he ventured in the palace.

Nursemaids commandeered his children. Ladies-in-waiting swept Rapunzel away. The king prattled about diplomacy and trade routes and political alliances.

At their welcome home feast, in the clatter of dishes and hearty toasts ringing out, the echo of the witch’s cackle rose thin and high, a taunt meant for his ears only.

The prince knew.

This time, he’d deceived himself.

That night, he ran his hands over every inch of his chambers. His thoughts fractured each time the witch’s cackle sounded in his ears. Even if he could escape, how would he rescue Rapunzel and the children?

What caught his attention first? The scrape of leather on stone? The delicate gasp of exertion? He knew the moment Rapunzel burst through the window, landing with a soft thud on the stone floor.

“Come,” she said. “Your children are waiting below.”

“How is it you—?”

She silenced his question with a gentle finger to his lips. “Your children have stolen all the silk sheets from the royal beds.”

If he could not see the glint of intelligence in her gaze, he caught it in her tone.

“My father’s included?”

“And I have braided them into a ladder, your father’s included. Do you remember, my prince, how to scale a tower wall on a braided ladder?”

Indeed, he did.

“Come,” she said.

He let Rapunzel take his hand. At the window’s ledge, he cupped her cheek.

“I have been so blind.”

In answer, she merely kissed him.

And yes, his hands did remember how to grip a braided ladder.

Together, they raced through the palace grounds, into the forest, until—at last—they reached the crossroads.

The prince stood there with his little family, the warmth of the sunrise touching his face. Something earthy and ripe rose in the air. He turned toward its source.

The marsh beckoned.

The Way Home was first published at Long and Short Reviews.

Free Fiction Friday: Like Bread Loves Salt

A tale for when you’re feeling a little salty.

A knock on the door wakes me from dreams of salt. I rub the grit from my mouth before pressing the tip of my tongue to my fingers. I do this gingerly, as if my dreams can poison me.

Salt.

A breeze rustles the leaves of the oak that shades my room, the sound like a whisper. In that whisper, I hear words.

Like bread loves salt.

The sound is too soft, too hollow for me to grab onto and shake into recognition. But I know—or at least, think I know—who speaks those words. With a second knock, I forget everything except the taste of salt on my lips.

Few people knock on my door these days. The chances I want to speak to the person on the other side are so dismal that, at first, my hand refuses to unlatch the deadbolt. But I do. I always do. There, standing on the threshold, is the wound for my salt.

“Anna,” I say.

Salt has visited her as well, or at least, it colors her hair. Her skin is fine and powdery, more like sugar. Anna is many things; sweet has never been one of them.

“You stole him.” Her voice is even, as if she’s simply informing me that my morning paper has been delivered. And oh, look; it has. I prefer newsprint to television and the internet, the dry feel of it against my skin, the residue of ink, words peppered on the salt of the page.

I scoot past her to scoop up the paper. “Look.” I point to a headline. It’s a poor attempt to change the subject, but I try nevertheless. “They’re saying this heat will break.”

“You stole him.” This time, her voice holds an edge. Any louder and the neighbors will peek through their curtains. Any louder and the bead of sweat rolling down my spine will become a torrent.

“Anna, I don’t know what—”

“Roger! You stole Roger!” She grips the handrail, her fingers tight, knuckles thick, like knobs.

“Roger’s dead,” I say, in that voice reserved for small children, dogs, and the aged. I dread the day I will hear it spoken at me, although by then, God willing, I won’t notice. “Remember? We buried him in April.”

It’s July now. I don’t think Anna’s forgotten, or that this is the onset of dementia. Maybe it’s the heat. Maybe it’s a stage of grief.

“I dream of you two, together.” She pokes a finger in my chest. “I see you. I see you with him, see what you do, what you’ve always done, for all those years behind my back.”

“Roger and I were never together,” I tell her. “He loved you.” This is the truth. And yet, the salt on my lips tastes like a lie.

“But I see you.” And now her words are a whimper.

I urge her inside. She slumps at the kitchen table. I brew tea. I hit the speed-dial on my cell phone. When Renee arrives, still pajama-clad, the salt is the flavor of guilt. But it’s Renee who apologizes.

“Oh, Aunt Jane, I’m so sorry.” She shakes a headful of curls that bear only the slightest trace of salt. “She’s been having these crazy dreams about … Dad. We’ve been going to a therapist. It’s been good for us, but …” Renee trails off, swipes her fingers over her lips as if she, too, can taste the salt in the air.

At the door, before they leave, Anna turns and says:

“You stole him.”

Now it sounds like a death sentence.

That night, I taste the salt in my sleep. I hear the whispered words.

Like bread loves salt.

It’s true. I always have. Bread only needs a pinch of salt to sustain her. But that love is three months gone. Oh, we were so careful. How can a love confined to dreams hurt anyone but the dreamers? Fifty years of nights. Fifty years of dreams. Fifty years of stealing salt.

And now, that residue of salt is all I have left.

Like Bread Loves Salt was inspired by the many love like salt folktales.