The Guthrie – Writing Wrongs

I’ve been experimenting with time management and how I want my days to look like now that I can set my own schedule.

One thing is becoming clear:

There’s wisdom in taking weekends and time off.

Back in January and February, I was writing seven days a week. I was so darn excited to have the time and head space (especially the head space) to write. Book two was simply waiting for the cognitive overload from my corporate job to clear out so I could write.

Then, I needed a break. I know this about myself. I’m what Becca Syme calls a bread machine writer. In her article Why Isn’t This Easier, she writes about bread machines (the writers, not the appliance):

Your brain is wired like a bread machine, so the easier books to work on are the ones where you’ve had more time to put all the ingredients inside the machine and let it sit for a long time. But when you become a professional writer (even if you’re not writing full-time), you don’t get to spend years thinking about a book, unless you’re GRRM. So, when you take away part of the way your brain functions creatively best, it becomes more and more difficult to complete the process.

I need time to think, both long term—hey, I’ve been musing on The Pansy Paradox and the series for a decade, y’all—and short term.

So, maybe it’s an afternoon when I head to the garden center and look at all the plants (I know, I know; I’m running out of space.) Maybe it’s a trip to Half-Price Books to restock the Little Free Library.

In any case, I’m taking a conscious look at my schedule. I’m questioning why I do things when I do them and considering whether there’s a better way for me to do what I want and need to do.

Today? The siren song of the garden center is calling my name. (Can you hear it? I can definitely hear it.) Yesterday was the Guthrie Theater and Agatha Christie’s The Mousetrap.