October 2024 – Writing Wrongs

Accountability check-in: a series timeline

So, I just took a peek at my series timeline, which is now five pages long. On it, I have dates that go all the way back to 1986.

Yes. The dark ages.

For this particular story, I need to know when people were born, when they (may have) died, when they … traveled through dimensions.

Yes. Complicated.

But I always recommend using a calendar of some sort when writing a longer story. Even jotting down the passing days in a notebook can be helpful. That way, you don’t end up with children going to school ten days in a row or making January six weeks long.

Weeding these things out can be difficult. Darcy and I actually ended up with the extra-long January in The Geek Girl’s Guide to Cheerleading. We knew something was off; our editor knew something was off. No one could say what, not until Darcy did the painstaking work of mapping out the timeline. Then we had to pull all those story threads and weave them back together again, minus those two weeks.

Yes. Painful.

So, this is my recommendation for the week, probably because I’ve spent some extra time in my series timeline, testing things out, revisiting what came before. And then heading outside to put the garden* to bed and ponder some more.

^{*This is actually why I garden; it gives me time to think.}

Accountability check-in: so what about that cage match?

I mentioned way back in January that my manuscript, The Pansy Paradox, was in the quarter-finals of the First Page Cage contest over at Pulp Literature.

Then, of course, I never mentioned it again.

But as it turned out, the experience was beyond gratifying. The Pansy Paradox tied for first. I love this outcome, and I was so thrilled for Nikita, my co-winner. I love that Pulp Literature was so generous in awarding a double prize.

There’s another layer to this, beyond winning and the prize money. I entered the contest specifically because I wasn’t sure I could write anymore. Obviously, I can string sentences together (because here I am, stringing sentences together). But writing stories, in particular, this story?

I had no idea. After the past couple of years of … everything, I simply wasn’t sure.

So it’s gratifying to learn that I can still write stories that people want to read.

Here’s what one of the judges said about the story:

“The Pansy Paradox is a delightful New Adult romantasy set in the mythical rural town of King’s End, Minnesota. It deals with themes of grief, loss, and responsibility with humour, romance, and sentient umbrellas.”

Yes, you read that right. Sentient umbrellas. They’re a thing; well, at least in this story, they are.

You can read more about the final outcome on this post here. You can also read what’s going on with this year’s quarter-finalists here. It’s interesting to see where the editor judges agree and disagree.

Namedropped!

So last week, Pulp Literature namedropped me in their weekly email:

*Cover art by S Ross Browne. Line art by Mel Anastasiou*

Would you look at that gorgeous graphic?

I love Pulp Literature. And not just because they’ve published some of my stories and I’ve placed in or won a contest* or two. And not just because they have a cool tagline: Good books for the price of a beer.

I encourage you to take a look around and consider purchasing an issue to try them out. They publish in both print and digital.

^{*An update about my most recent content experience with them will be forthcoming. But for now, let’s just say it was grand.}

Accountability check-in: maybe it’s not the marketing

So, I’ve nearly finished the marketing-for-introverts course, and I had a realization. I don’t necessarily dislike marketing. Some kinds of marketing really drain me, and the course covers why that is, depending on your type of introversion. I found that part extremely helpful.

But I don’t lack desire so much as time, energy, and headspace—literal headspace, as in how much space I have in my brain for thinking about things that relate to writing and publishing.

And … I know the culprit in all this. And … I have a … let’s call it an exit strategy, for now.

In the meantime, however, I’m going to do a little marketing and tell you that Coffee and Ghosts, Seasons 1 – 3 is on sale for 99 cents. And it has been on sale for a while because I had a BookBub Featured Deal last month.

I also scheduled some other newsletter promotions around my BookBub day. But honestly? Nothing performs quite like a featured deal, which did most of the heavy lifting. I’m in the black in terms of ROI, so I’m very pleased. The bundle will be available for 99 cents through the end of the month.

Accountability check-in: start slow to restart

Hummingbird at my camera feeder, enjoying an evening snack.

So after the big software release at work, I’m getting back to the writing and everything else that goes along with the writing—and some things that don’t, like bringing in my hummingbird feeders for the season.

This weekend I restarted MTBs (Manuscript Time Blocks). These work better for me than word count goals. I’m reacquainting myself with the manuscript, checking in with all my characters, and starting to make some progress.

Also, this week, I began taking a self-paced marketing-for-introverts class, which I’m enjoying so far.

This coming week, I plan to claw back my morning writing time. I was logging on an hour earlier because of the release. No. More. Also, I’m looking forward to an actual lunch break.

Hope everyone made a little progress on something for themselves this week as well.