For October it’s ghosts and witches and things that go bump in the night.
When it comes to ghosts, my grandmother has one solution: brew a pot of coffee. Like today, in Sadie Lancaster’s kitchen.
Sadie clutches her hands beneath her chin and stares at our percolator, her eyes huge. The thing gurgles and hisses as if it resents being pressed into service. My own reflection in its side is distorted. When I was younger, I thought this was how ghosts see our world.
In places with bad infestations, they swirl around the percolator. I can reach out, touch hot moist air with one hand and the icy patch of dry with the other. One time, a ghost slipped inside. It rattled around until the percolator sprang from the table and hit the floor, splashing scalding water everywhere.
I still wear the scars of that across my shins.
But Sadie’s ghosts are barely ghosts at all. I’d call them sprites. They might annoy you on the way to the bathroom at three a.m., but little more. They also, as my grandmother points out, help pay the bills. So I remain silent while she pours the coffee: three cups black, three cups with sugar, three cups with cream, and three cups extra light and extra sweet. Twelve cups. Always. If anyone complains, my grandmother snorts and says, “As if no one has a preference once they’ve died.”
Don’t get her started on instant coffee, either. Since I was five, my job involves carrying the cups throughout the house, up and down stairs, into bedrooms, dining alcoves, walk-in closets. We never skip the bathroom, no matter what.
“The last place you’d want a ghost,” my grandmother says to Sadie. “Lecherous little beasts.”
I walk past the two women, my steps slow and steady. I still burn myself, make no mistake. My hands wear the scars of multiple scaldings. We keep a burn kit in the truck. But as I place the last cup on the edge of the sink, I smile. At least I won’t need that today. I rush back to the kitchen for the Tupperware.
Some ghost catchers use glass jars, but ghosts confined to small spaces can manifest images—grotesque or obscene or both. Ghosts, generally speaking, are pissed off and rude, which is why you don’t want one in your toilet. We buy the containers with the opaque sides, since what you can’t see won’t offend you. I use several at Sadie’s that afternoon, although truthfully, I only snag three little sprites in the den.
“She’s imagining things,” I whisper to my grandmother.
“Yes.” Her hand steadies my shoulder. “But how many repeat customers do we get?”
She has a point. We’re good. When we’re really in the zone—the right type of coffee beans, perfect brewing temperature, clean catches—a house might stay ghost-free for decades. If we’re not careful, there won’t be any ghosts left to catch.
With the sprites in the back of our pickup, we rumble down the county road that leads out of town and into endless fields of corn and soybean. Ten miles out, there’s a windbreak with a little creek. This is where we’ll set the sprites free. They’ll be, if not happy, content at least, and in no hurry to find other humans to haunt. I’m setting the sprites free—legs braced, container at arm’s length—when my grandmother speaks.
“When I’m gone, Katy-girl, I’ll come back and show you how to rid them once and for all.”
I sigh. I’ve heard this before. “But then I’d be getting rid of you.”
“You wouldn’t like me as a ghost. Besides, they don’t belong on this plane. This has been my life’s work.” She touches three fingers to her heart. “I don’t see why it shouldn’t be my afterlife’s work as well.”
She always says this. I always tell her she’ll live a good long time. Then we drive home, empty containers rattling against the flatbed, percolator perched between us, belted in, our third—and quite possibly most important—passenger.
* * *
That was three months ago. If my grandmother raged against the dying of the light, it didn’t show in her expression the following morning when I found her. She left me her house, the family business, and of course, the dented, silver percolator. I have yet to see a hint of my grandmother’s ghost. I’m not sure I want to.
The house is quiet without her in it. Even the ghosts have stayed away. I shake the canister of roasted beans, give it a sniff, certain I’ll need to dump it and buy fresh within a matter of days.
Sadie Lancaster calls as the first cascade of beans hits the garbage sack. I decide on those fresh beans now, and instead of running next door, I jump into my truck and head for the Coffee Depot.
Ten minutes later, I pull up in front of Sadie’s house, but I don’t find her cowering on the porch (her usual position pre-eradication). Percolator under one arm, I ring the bell.
“Oh, Katy,” she says, urging me inside. She beams like she has a secret. “There’s someone I want you to meet.”
This is it. My grandmother has chosen Sadie’s house as the spot for her grand reappearance and that’s why Sadie isn’t scared. My steps quicken, heart fluttering something crazy. Do I want to see my grandmother like this? I’ve never been afraid of ghosts, but this is different.
The aroma hits me first—rich, aromatic, turmeric, saffron, and a hint of rose petal. Sun glints off the sides of a samovar squatting in the center of the kitchen table, in the very place I always set the percolator. I clutch the thing to my chest as if that can protect us from its flashy usurper on the table. The samovar is gold-plated brass—I squint at it—in the Persian style instead of Russian.
“Katy,” Sadie says, throwing her arms wide, “I want you to meet Malcolm Armand. He catches ghosts with tea the way you do with coffee.” Her fingers twitch as if she’s urging us closer together. I stand my ground. “You two have so much in common,” she adds.
Malcolm runs a hand over smooth, dark hair. His white dress shirt gleams in the sunlight streaming through the kitchen windows. I’m in torn jeans and a T-shirt. Why anyone would attempt ghost catching in something so fancy is beyond me. Even so? I can’t help but feel grubby in comparison.
“It’s nice to meet you,” he says, extending that same hand, one without a single blemish or scar.
I fight the urge to whip my own hands behind my back, out of sight. I gulp a breath and shake his hand, breaking contact the second it’s polite (okay, maybe a couple of seconds before it’s polite). I try not to stare too hard at Malcolm, so I let my gaze travel the kitchen, the dining alcove. No ghosts here. I’d be surprised to find even the weakest sprite. And certainly, my grandmother isn’t in residence.
That leaves me alone with Malcolm—and the tea-scented suspicion about where all my business is going.
* * *
When I walk into Springside Long-term Care, the first thing I see is Malcolm standing in the center of the common area, enchanting all the residents, the gold-plated samovar glowing on a side table next to him. I freeze, so every time the automatic doors try to close, they bounce back open again. This draws attention. I sigh, give up my plan to sneak out, and step forward to meet the facility manager.
“Oh, Katy,” she says, a flush rising up her neck, “I meant to call, so you wouldn’t make the trip out here.” She waves a hand at Malcolm. “He offered a “try before you buy” and well … the residents just love him.”
Or at least most of the female ones do. They gather around Malcolm and his shiny, shiny samovar, their oohs and ahhs mixing with the scented steam.
I don’t point out that Springside is—and always has been—a gratis account. Older people, my grandmother always said, are haunted by many things. It’s only right that we chase some of their ghosts away.
I’m backing toward the door, willing myself not to inhale a hint of rose petal and saffron, when a bony hand grips my wrist. The percolator crashes to the floor, adding one more dent to its history.
“Katy-girl, are you going to let him get away with that?” Mr. Carlotta nearly growls the words. He may hold the world’s record for longest unrequited crush, in his case, on my grandmother. Even now, sorrow lines his eyes. His fingers tremble against my wrist.
“What can I do?” I wave my free hand toward Malcolm. “He’s so flashy.”
“More like a flash in the pan. Mark my words.”
A part of me grabs onto what Mr. Carlotta says. Be patient. Business will pick up the second it’s clear you can’t catch ghosts with tea. Because honestly, who ever heard of that? My practical side—the side that pays the property taxes and utility bills—wonders if the local coffee shop is hiring.
* * *
I trace the scars on the backs of my hands while waiting for the Coffee Depot’s assistant manager. My qualifications are thin. I know ghost hunting and how to brew a damn good cup of coffee. But customer service? Well, when you ghost hunt, people don’t mind if you shove them out of the way, not if you trap the otherworldly thing shaking their house to the foundation.
At the Coffee Depot? They probably frown on customer shoving. Still, the converted train station is quaint and life as a barista can’t be that bad, can it?
The assistant manager plops down across from me. He wipes fake sweat from his brow and gives me a grin.
“So,” he says. “Tell me a bit about yourself.”
“I make the best damn coffee you’ve ever tasted.” I declare this because I’ve read online that you should be confident in your interview.
He chuckles but doesn’t sound amused. “I’m sure you do. But tell me,” and now, the amusement is back, “what about frothing milk?”
I like cappuccino, even if frothing milk is something I’ve never done. Likewise, I’m sure there are many fine answers to his question. I do not choose any of them.
Instead, I say, “Why would you want to do that?” It’s like I’m possessed by the spirit of my grandmother, since in that moment, I sound just like her.
“Right,” he says. He clears his throat, then gives me a long look. “I’ll take that challenge. Go make me the best damn cup of coffee I’ve ever tasted.”
So I do. I stand, and with his nod, round the counter so I’m on the other side. My fingers barely brush the silver, industrial sized coffee machine when it starts to tremble. The thing wheezes. The tile beneath my feet shudders, sending a shockwave that resonates from toes to jaw. Next to me, the barista’s teeth clack together, and she pitches toward the cash register, clinging to it. Then, the machine erupts, spewing water and coffee grounds with so much force, they coat the ceiling, the walls, and all of the tables.
* * *
I offer to clean up. I offer to rid their machine of its ghost—for free. Everyone is damp, but since the water was only lukewarm, no one was scalded. This is why the assistant manager pushes me out of the store instead of calling the police.
As the door closes, his voice echoes behind me. “Yes, do you have the number for Malcolm Armand …?”
Something won’t let me leave the sidewalk in front of the shop. My feet remain rooted there, next to the planters with the sugar maples. I stand there so long it’s a wonder I don’t sprout leaves. But since I do stand there so long, I’m treated to the view of Malcolm Armand double parking and springing from his two-seater. In the passenger seat, belted in like a trophy girlfriend, sits the samovar.
“That’s not very practical,” I say.
He halts in his trek up the walk, samovar held away from me. “What?”
“Where do you put the ghosts? I mean, once you capture them.” I point at the convertible. “There’s no room.”
He eyes me, my coffee-soaked shirt, stained slacks, and all. He sniffs, nose wrinkling, and tromps into the shop without another look in my direction. I turn, uproot my feet, and inch toward the front window.
Inside is the mess I made, but I ignore that. What I want to see is how Malcolm works, what he does, how he entices the ghosts. I stare so long, the sun dries the back of my shirt. I study the inside of the shop, the placement of the samovar, and track Malcolm’s every move until the assistant manager jerks a cord and Venetian blinds block my view.
Whatever grips me about the shop—the ghost or Malcolm—loosens its hold. Dismissed, I trudge home, leaving a set of coffee-colored footprints in my wake.
* * *
“K-k-aty? Are you there?”
The call comes at nine in the morning, on a day so sunny and bright, only the most dedicated pessimist could remain that way. Since I have all my overdue bills spread out on the dining room table, I’m well on my way to joining their ranks.
“Sadie?” It sounds like her, but I’ve never heard her voice so shaky.
“What’s going on? Where are you?”
“My porch. They won’t let me inside.”
“Why don’t you call Malcolm?” The question comes out sharp, laced with acid and jealousy.
“He’s t-trapped inside.”
“Dead?” Sadie’s voice hitches.
“Ghosts don’t …” Kill. No, normally ghosts don’t. But they can. “I’ll be right over.”
The second I pull the half and half from the fridge and give it a good whiff, I realize right over isn’t happening. I toss the reeking carton into the garbage and head to the canister with the beans. A few lone ones rattle in the bottom. I haven’t been back to the Coffee Depot since my disastrous interview, but it looks like I’ll be stopping there today.
With the percolator strapped in its seat, a four-pound bag of sugar snug against it, and several containers of half and half on the truck’s floor, I run two red lights on my way to the Coffee Depot. By the time the little bell above the door stops jingling, the assistant manager is rounding the counter. He stalks forward, arms loaded down with bags of coffee beans. He skids to a halt and shoves the beans at me.
“But—” I begin.
He holds up a cell phone. On the screen, a message reads:
Malcolm: Give her anything she wants.
Still uncertain, I blink at the words. In my arms, I hold everything I want, or at least need. For now. I head for the door.
“Call or text if you need a resupply,” the assistant manager shouts after me. “I’ll have someone run it over.”
The door whooshes closed before I can say thanks.
* * *
I test out the front door, the garage, even the window to the bathroom. Every surface I touch ices my fingertips. Sadie Lancaster’s house is in full-on ghost infestation. Usually something like this takes years to build up, or a sudden invasion of strong ghosts—a group of them. True, I haven’t cleared the sprites in a month or so, but that can’t be the cause of this.
My gaze travels the structure, from chimney to foundation. All the windows are black, the cheery blue paint molting into a dead gray. I need to get inside. I need to do that now. So I do the most logical thing. I march up the porch steps, press my palm against the doorbell, and let it ring for an entire minute. Then I cross my arms over my chest and tap my foot.
“Nobody’s getting any coffee if someone doesn’t open up this door.” I sound bossy, just like my grandmother. I kind of like it.
A moment later, the door creaks on its hinges. I scoop up the percolator and my bag of supplies and race for the kitchen.
“Malcolm?” I call out. “Are you okay?”
Is he even here? Maybe he went out the back once the ghosts released their hold on the doors. I plug in the percolator and take a few deep breaths so I don’t rush the preparations. Ghosts this strong will need the best coffee I can brew.
I survey the beans the assistant manager shoved at me. One hundred percent Kona? Really? Shame to waste that on ghosts. But the air prickles the skin on my arms. It must be fifty degrees in here and getting colder. One hundred percent Kona might not do the trick if I don’t hurry.
“Katy?” A voice rasps.
For a second, I mistake it for a ghost.
No. Too deep, too human for that.
“In the dining room.”
I set the percolator to brew and run. On the threshold, I trip over something bulky and sail through the air. I land hard, but manage to tuck and roll. When I stop, the blown out end of a gold-plated samovar fills my view, the brass twisted into vicious curlicues.
A groan comes from the threshold. Malcolm props himself up on one elbow, his cell phone clutched in one hand, his shirt, torn and tea-stained.
“What happened?” I say.
“It just … blew. I was adding in a sprite when—”
“Wait. You’ve been storing all the ghosts.” I heft the samovar, careful of the edges. “In here?”
“You don’t release them?”
“Never have.” He shakes his head, eyes downcast. “Honestly? I don’t know how.”
This sad, honest confession tugs at me. We don’t have time, however, to go over the finer points of ghost hunting.
“Can you stand?” I ask. “Walk?”
“I think so.”
“Then you can help.”
In the kitchen, I pour the twelve cups. Malcolm adds the half and half and sugar. His hands are steady, and he stirs each cup without spilling a single drop. My grandmother would approve.
From there, we divide and conquer, carrying the cups to various spots in the house.
“Be sure to put one in the master bath,” I call from the living room. “There’s bound to be one in there.”
“It won’t let me in,” he says a moment later.
Oh, really? Nasty little bugger. Ghosts and their toilet humor.
At the door to the bathroom, I ease the cup of coffee from Malcolm’s hands then kick on the door. It flies open with all the strength of the supernatural behind it.
Malcolm places a hand on my arm. “I don’t think—”
“It’ll be okay.” I hear it for the lie it is, and so must Malcolm, but he lets me go.
I close the door and place the coffee on the vanity. That icy patch of air flutters past, swirls into the steam, and revels in it. Oh, it is having the best time—at everyone’s expense, too. Before I can trap it beneath some Tupperware, that same feeling from the coffee shop washes over me. This is the ghost in the coffee machine. This is … my grandmother.
The realization makes me drop the container. Malcolm pounds on the door, but I ignore him.
Now, the ghost swoops around me, a frigid caress against my cheek.
“What are you doing? I thought—”
Something that sounds like hush fills the air. Whatever her mission, it’s not for me to question.
“I love you,” I say. “And I miss you.”
I pick up the container and my grandmother flows inside, compliantly. I secure the lid and hug the Tupperware to my chest. During her life, my grandmother was right about most everything. But here’s where she was wrong:
I do like her as a ghost.
* * *
We drive out to the nature preserve, a good thirty miles from town. In a deserted campsite, I demonstrate how to open containers and set ghosts free. I even let Malcolm release a few. (Only the sprites, but you have to start somewhere.)
“Will they come back?” he asks.
“The strong ones can, but most choose to stay here, or find an old barn to haunt. Something’s got to scare all those Scouts on camping trips, right?”
Malcolm studies the backs of his hands. The beautiful olive skin is pink from scalding.
“You should put something on that,” I say. “Before it scars.”
“A little scarring never hurt anyone. I’m sorry for a lot of things.” He raises his hands. “But not for this.”
I nod and he gives me a piercing look that I swear could scar—if I let it.
“You know something,” he says, “I think this will work.”
“You and me. I’m all sizzle, and you’re the steak.”
“I’m a vegetarian.”
He throws his head back and laughs. And while I have no clue what he means, I can’t help but like the sound of his laughter.
* * *
I let my fingers trace the gold lettering on the window—for the tenth time in as many minutes. I can’t help it, can hardly believe the words are real.
K&M Ghost Eradication Specialists
In the store window, the gold-plated brass samovar sits, backside hidden in midnight velvet. Somehow, Malcolm talked the bank manager into a small business loan. Somehow, we’re on retainer with the only law office and investment firm in town. Somehow, my worry about bills and property taxes has evaporated.
Malcolm still wears the scars from what we call the day of the ghosts. He boasts a few fresh ones as well. So do I. We take a new, electric samovar with us when we go out on a call. Because even I must admit: some ghosts prefer tea. Sometimes I feel that particular presence and an icy caress along my cheek. Sometimes I say things that make Malcolm throw his head back and laugh.
What I don’t tell Malcolm: I do it on purpose.
What I don’t tell my grandmother: I know what her afterlife’s mission really is.
And I love her for it.
You knew I had to include some Coffee & Ghosts for October, right? Right? The story that kicked off what might be the world’s most niche series. Ghost in the Coffee Machine was first published in Coffee: 14 Caffeinated Tales of the Fantastic.
It was subsequently produced in audio by The Drabblecast (with sound effects!).
And, of course, the entire series is in audio, narrated by the incomparable Amy McFadden. Check it out on your favorite audio store, or from my store on Authors Direct (for a deep discount).