The quiet contentment of writing longhand

I spent this last week quietly working through all the notes I have for not only The Marigold Miracle, but also The Rose Rebellion (book 3), The Dahlia Dilemma (possibly book 3.5), and a manuscript to be named later (but maybe The Florence Fiasco).

Yes, I love me some alliteration.

I refined the old notes (things change as I write) and made new ones. As you can see:

Actually, that’s not all the notes I’ve made while writing this series, just the most recent ones.

There are all sorts of studies about the hand-to-brain connection. I love writing longhand. The main problem I have is searching for the information I’ve written down. Clearly, my handwriting is nowhere near good enough to scan into a digital file (if only).

So, I’ve further refined my notetaking technique by adding plot points and characters in the margins. That way, I can page through and quickly find what I need.

The other thing I’m doing is double-checking my world-building. I really don’t want to end up needing to retcon (retroactive continuity) something.

I’ve really enjoyed this process, and I plan to keep at it for this coming week. Not interacting with any kind of digital technology for several hours in the morning has been unbelievably refreshing.